Lightroom Editing: Before and After - Dunes Portrait
RAW Photo. Lightroom Edit is shown below at the end of the article.
This portrait was taken in the dunes under an overcast sky. The light was soft and flattering, especially for skin tones. But the RAW file felt slightly flat. The sky was bright and dominant, the jacket merged visually with the background, and there was little tonal separation.
Nothing was technically wrong. But the image lacked structure.
The goal of this edit was not to create drama. It was to create hierarchy.
The Starting Point – Even Light Without Depth
The original image had balanced exposure, but everything lived on a similar brightness level. The dunes, the sky and the jacket shared comparable tonal weight. This creates softness — but also visual monotony. The subject was present, yet not clearly prioritized.
The edit needed to introduce separation without losing the calm atmosphere of the scene.
Exposure – rebalancing light
Basic Adjustments in Lightroom
I slightly reduced the overall exposure (–0.20) and strongly lowered the highlights (–99). This immediately brought structure back into the cloudy sky and prevented it from overpowering the frame.
At the same time, I lifted the shadows (+53) and increased the whites (+57). This combination opens the sand and subtly brightens the face while keeping depth in the darker areas.
Blacks were only slightly adjusted (–6). I wanted grounding, not heavy contrast.
The result is a more layered image without losing softness.
Tone Curve – Controlled Contrast
Tone curve in Lightroom
The tone curve follows a gentle S-shape. Shadows are slightly anchored, midtones carefully lifted, and highlights remain controlled.
This step adds definition to the jacket and subtle contrast in the dunes, while keeping smooth transitions in the skin and sky.
Contrast is present — but quiet.
HSL – Color Decisions with Intention
Color adjustments were essential here. Greens (–34 saturation) and yellows (–39 saturation) were reduced to calm the dunes and prevent them from competing with the subject. Aqua was strongly reduced (–100 saturation) to remove unwanted cool color noise.
Blue was slightly increased (+33 saturation) to give the sky more presence and clarity.
For skin tones, I raised orange luminance (+25) and slightly reduced red luminance (–6). This brightens the face subtly and keeps it natural.
The overall palette becomes cleaner and more intentional.
Luminance – Shaping the Background
Blue luminance was lowered (–33) to add depth to the sky. Green luminance was reduced (–22) to ground the dunes and prevent them from feeling too bright. At the same time, the brighter orange luminance keeps the subject visually forward. This creates separation without artificial masking.
Color Grading – Subtle Warm–Cool Balance
Shadows were given a soft cool tone (Hue 201, Sat 11).
Midtones received a slight warmth (Hue 36, Sat 7).
Highlights stayed very subtle (Hue 201, Sat 8).
This warm–cool relationship creates balance between jacket, sky and skin without making the image stylized. The mood remains natural.
Final Result – Clarity Without Overprocessing
Before, the portrait was evenly lit but visually flat. After the edit, the subject stands out more clearly. The sky has structure. The dunes feel quieter and less dominant. Nothing dramatic was added. Only separation and direction.
Why This Matters
Soft light often tempts us to add strong contrast or heavy color grading. But that quickly destroys the calm of the scene. Instead of pushing intensity, I reduce visual noise first. Then I build structure carefully — through light control and color separation.
This is what I teach in my Lightroom course: Not how to make images louder. But how to make them clearer.
Framed Freedom means creating structure — without losing atmosphere. Further Before and After Articles can be found here.
Develop your own style
If you want to build your personal Lightroom workflow step by step – not with presets, but with a conscious, individual approach – take a look at my course.
